Why I Love Edinburgh

June 2, 2013 by · Leave a Comment 

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imgresOn Tuesday night, June 11, just before midnight at London’s Euston Sation, my husband and I are boarding the ScotRail sleeper train to Edinburgh. “The Night Train to Edinburgh.” Just typing those words sounds like the title to a novel, but in this case, I’m off to research a new book that follows That Summer in Cornwalland it’s set—guess where?–in one of my favorite cities: the historic capital of Scotland built on a volcanic outcropping that protected its residents from invading enemies for some eight hundred years.Edinburgh_Castle_Scotland-Wallpaper On one end of the Royal Mile that skims along the top of that up-thrust is the Palace of Holyroodhouse where Mary, Queen of Scots most likely witnessed the murder of her most trusted secretary; on the other end, the spectacular Castle Rock, occupied since around 1,000 B.C.–which makes sense, given a lookout can see all the way to the Firth of Forth. 180px-Anchor-closeIn between these huge buildings are narrow streets and wynds –or alleys—where the city’s inhabitants lived in tenements, some of them twenty stories high.  Jane Maxwell of Monreith—later the 4th Duchess of Gordon and the heroine in my first novel, Island of the Swans —lived in the mid-eighteenth century in Hynford Close, a crowded narrow cobbled street in the heart of this bustling city.imageGen Following in the footsteps of historical figures such as the poet Robert Burns (seen here in a painting with a seated Duchess Jane who supported the first professional printing of his work), the writer James Boswell, and the novelist, Sir Walter Scott is one of the great joys of visiting a place where sections of Edinburgh remain as they were more than two hundred years ago. anta-200x150_12982But on this trip in June, I will be learning about modern Scotland in preparation for writing That Autumn in Edinburgh.  I’ll be visiting interior home design shops selling cashmere throws and tartan pillows, and checking out the Old Weaving Company where tourists ogle special order tartans made for everyone from Scottish-Americans tracing their roots to Chinese corporations seeking to brand themselves in the West.468675019_ab7534ab14_m I haven’t been to Scotland in over a decade, and I can’t wait to note the changes…and rejoice in the things that look the same.  Edinburgh, remember, is where the BBC goes to film when they want to recreate London in the eighteenth and nineteenth centuries. Thank heavens they still can…

Wicked Company Should be a Movie!

September 19, 2010 by · Leave a Comment 

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On October 1, Wicked Company is about to have a new life as a nice, juicy trade paperback, courtesy of my publishers, Sourcebooks Landmark, but really, truly, I think one day it should be a movie on a large screen, in full color, and powered by THX sound!

I hold this opinion not merely because I’m proud of this historical novel–which I am, of course– but because, when I did the research, the images I found in the depths of the Huntington Library, or in the archives of the Theater Museum in London leapt out at me in a fashion that just begs for someone to make a film.

I mean, just look at the cast of characters:

We have King George III, Drury Lane actor-manager David Garrick and his wife, struggling women playwrights like the two Hannahs (Hannah More and Hannah Cowley who hated each other),along with numerous actress-playwrights like Kitty Clive and my fictional villainess, Mavis Piggott, plus the weedy little censor Edward Capell–not to mention the hero and heroine, based on a composite of theatrical figures of the day whose lives  I encountered when doing the years of research.

Added to this are the amazing locations of this novel:  Edinburgh, Covent Garden, Bath, Stratford, the Welsh countryside, Annapolis, Maryland, even!  Theaters on both sides of the Pond became the places I had to visit when researching and writing this book.

As I look over my own photo collection, such wonderful memories rush back.  The day I discovered this image of David Garrick about to stab his co-star in an eighteenth century play, now long forgotten, was a red-letter moment.

I even let out an audible yelp in the hallowed bowels of an archive not-to-be-mentioned when I stumbled across an example of the very tickets issued to gain entrance to the first Shakespeare Festival held in Stratford-Upon-Avon in 1769.

And then there was the day when I uncovered the fact that one of my historical figures, writer James Boswell, had turned up in the pouring rain at the Shakespeare Festival dressed as a Corsican and brandishing a tall, crooked staff in order to promote a book he was writing!  I mean, really!  Does nothing change?

These are the moments when an author is transported back in time and can see a story unfolding as if it were a film!  (From my computer to God’s ears….)