Creating Characters: What Do They Want?

April 22, 2013 by · Leave a Comment 

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Image-20-199x300When I originally had the notion for That Summer in Cornwall, my plan was to have my heroine, arriving in late May at shabby chic Barton Hall from Wyoming, get involved in the nursery business that had saved her cousin’s family mansion from bankruptcy a decade earlier in the prequel, A Cottage by the Sea.images

 

 

 

 

 

 

 

Ella-holding-Targhee-sheepHowever, Meredith Champlin, an emergency room nurse at a children’s hospital, is no gardener like her cousin, Blythe Barton Teague.  She was born and raised on a western sheep ranch, so I began to ruminate on what her life goals and desires might be, recalling what a wise person in the writing business once said.  “Ask what your characters want—and what would they be willing to do to get it!”

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First I had to ask myself: what elements are common both to Wyoming and Cornwall?  The latter is a place where many immigrants came  to the American West from Britain’s tin mines and fields to work in the copper and coal mines in Pennsylvania, Wyoming, and Montana and till the vast open stretches of land, raising animals for the nation’s food supply in the years following the pioneer days.

 

corgi_1Cattle and Sheep need herding, I thought, which meant dogs. Meredith, 35, is a pediatric nurse, so what if she had raised Corgi herding dogs as a rancher’s daughter, and also developed a pet therapy program at her hospital?url-1

Bingo! Corgis are known as “The Queen’s Dog”—so obviously they would exist in Cornwall, too, especially because a lot of sheep are raised in the beautiful fields and on the moors in the West Country.

 

 

 

 

So, I had the answer to “what does Meredith want?”  She wants to be deeply involved in the world of working dogs and would never leave her beloved Corgi, Holly, behind when life’s circumstances land her six thousand miles from her home. It was a natural fit that she could help keep Barton Hall solvent by founding the Barton Hall Canine Obedience Academy on the castle grounds.

 

images-1And what about her past?  She also wants to forget an unhappy love affair with a charming, alcoholic rodeo rider and forge an entirely new life away from injured and dying children after a decade of intense, worthwhile, but exhausting service.  In other words, she wants a new beginning and a way of re-inventing herself and her life’s work.Image 12

And as it happens, in Cornwall, working dogs are also trained in the field of search and rescue, due to the type of terrain where “holiday makers” routinely fall off cliffs that skirt the dramatic coastline facing the English Channel, or get lost on the remote moors, or disappear down deserted mine shafts left over from the previous century’s tin industry.

 

article-1362275-0D710BF7000005DC-485_468x365Then one of those “Eureka!” thoughts struck.   The hero could be a veteran of a dog bomb-sniffing unit in the British Forces, late of Afghanistan, who, along with his Border Collie T-Rex, has returned to Cornwall and is now a veterinarian and a member of the Cornwall Search and Rescue Team.  All he wants is to be left alone to nurse his psychic wounds that vastly predate his service in the Royal Army, though at his core, he yearns for a sense of safety, connection with kindred spirits, and “home.”

So, through the magic of asking (and answering) “What do the main characters want?” I could begin to write Chapter One of That Summer in Cornwall.

The question “What are the characters willing to do to get what they want?” is the engine that drives the plot…a subject that I will probably discuss another time for readers who speculate about such things.  It’s a subject I am certainly wondering about as I prepare to start work on That Autumn in Edinburgh..a sequel two hundred years after the conclusion of my first novel, Island of the Swans