Creating Characters Before The Novel Is Written

June 6, 2013 by · Leave a Comment 

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Image 46In an previous blog I talked about the task facing authors beginning a new work to figure out what was going to happen to keep readers turning the pages of one of those novels sitting in the library or on your bookshelf.

The central question a writer must ask before typing page one is: “What do your characters want, and what are they willing to do to get it?”That Summer in Cornwall

As I mentioned in an earlier post, in That Summer in Cornwall Meredith Champlin, the heroine in blue jeans and Wellington boots, basically wants to re-boot her life. With her service dog, Holly, trotting at her side, she escapes a dead-end relationship with a charming but alcoholic rodeo rider, along with her grueling job as a pediatric emergency room nurse at a children’s hospital in Wyoming to spend a few months at the “Money Pit” belonging to her cousin who has married an impecunious British landowner with a castle and an estate that is reeling from the current economic crisis.

Caerhays_CastleSo what is she willing to do –in other words—what are the actions she’s willing to take to affect these changes in her life? The actions–whatever they may turn out to be–constitute the plot of the novel, and in Meredith’s case she A) takes a leave-of-absence from her nursing job in Wyoming; B) prompted by being unexpectedly awarded the guardianship of her deceased cousin’s young daughter, she and her ward get on a plane to spend the summer in Cornwall with another cousin; and C) she co-founds a dog obedience school on the grounds of the Barton Hall estate with a British veteran from the Royal Army’s Canine Bomb Squad–and he quickly becomes the other protagonist in the story.images

So now, on the eve of my research trip to Scotland for the next novel in the Four Seasons Quartet series, I am faced with those same questions in That Autumn in Edinburgh: what do the principle characters want and what are they willing to do to get it? An obvious “want” for heroine Fiona Fraser (an American with Scottish roots who is a home furnishings designer for a well-known firm based in New York) and hero Alexander Maxwell (a Scot struggling to keep the family woolen mill out of bankruptcy due to the unholy competition from manufacturers in the Far East) is to succeed in their difficult chosen professions…and they must fight to do that against a number of serious obstacles.

cottage_at_dornie_lochalsh_scotland-1920x1080Along with these material wants, each also yearns for a feeling of “home” in their respective lives due to certain aspects of their past that are revealed as the story goes along. That quest to find an emotional center in their lives, as well as the discovery early on that they descend from a pair of star-crossed lovers in the eighteenth century, fuel their journey in the Scottish Borders region south of Edinburgh to uncover “the rest of the story” regarding their mutual Scottish connections.images

The plot of the new book will be driven by the actions that these two main characters are willing to take to get what they want. For instance, what steps will Alex employ, in the wake of Scottish mills like his that are struggling to stay afloat, to triumph over his Chinese competitors who are selling tartan fabrics for 75% less than he can make fabric on his traditional looms? What chances will Fiona take at the risk of losing her job to fight for the quality of products she wants in the design company’s “Scottish Home Collection” that she’s been sent to Scotland to research by a boss who increasingly only cares about his bottom line?

Given the protagonists’ previous shaky relationships with “significant others” and the fact that they were born in two different cultures with the Atlantic ocean separating them, how far will they hazard their hearts or make a permanent commitment as they are drawn inexorably closer by the tragic story of their ancestors–the “lost” Lieutenant Thomas Fraser and Jane Maxwell, the 4th Duchess of Gordon–whom readers met in the first novel I published, Island of the Swans.

1087_33_8_webFrankly, I do not yet know the answers to these questions, but I’m hoping that my upcoming trip to the land of my own maternal ancestors will yield some exciting clues! Off I go…

Why I Love Edinburgh

June 2, 2013 by · Leave a Comment 

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imgresOn Tuesday night, June 11, just before midnight at London’s Euston Sation, my husband and I are boarding the ScotRail sleeper train to Edinburgh. “The Night Train to Edinburgh.” Just typing those words sounds like the title to a novel, but in this case, I’m off to research a new book that follows That Summer in Cornwalland it’s set—guess where?–in one of my favorite cities: the historic capital of Scotland built on a volcanic outcropping that protected its residents from invading enemies for some eight hundred years.Edinburgh_Castle_Scotland-Wallpaper On one end of the Royal Mile that skims along the top of that up-thrust is the Palace of Holyroodhouse where Mary, Queen of Scots most likely witnessed the murder of her most trusted secretary; on the other end, the spectacular Castle Rock, occupied since around 1,000 B.C.–which makes sense, given a lookout can see all the way to the Firth of Forth. 180px-Anchor-closeIn between these huge buildings are narrow streets and wynds –or alleys—where the city’s inhabitants lived in tenements, some of them twenty stories high.  Jane Maxwell of Monreith—later the 4th Duchess of Gordon and the heroine in my first novel, Island of the Swans —lived in the mid-eighteenth century in Hynford Close, a crowded narrow cobbled street in the heart of this bustling city.imageGen Following in the footsteps of historical figures such as the poet Robert Burns (seen here in a painting with a seated Duchess Jane who supported the first professional printing of his work), the writer James Boswell, and the novelist, Sir Walter Scott is one of the great joys of visiting a place where sections of Edinburgh remain as they were more than two hundred years ago. anta-200x150_12982But on this trip in June, I will be learning about modern Scotland in preparation for writing That Autumn in Edinburgh.  I’ll be visiting interior home design shops selling cashmere throws and tartan pillows, and checking out the Old Weaving Company where tourists ogle special order tartans made for everyone from Scottish-Americans tracing their roots to Chinese corporations seeking to brand themselves in the West.468675019_ab7534ab14_m I haven’t been to Scotland in over a decade, and I can’t wait to note the changes…and rejoice in the things that look the same.  Edinburgh, remember, is where the BBC goes to film when they want to recreate London in the eighteenth and nineteenth centuries. Thank heavens they still can…

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